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Ai Weiwei and Forever Bicycles

About the
artwork

The monumental archway is reminiscent of the traditional Chinese paifang or commemorative gate found in Chinatowns around the world. The artwork is made up of a seemingly endless arrangement of wheels, spokes, and bicycle frames. In the title, “forever” is both a nod to the brand of bicycles that flooded China’s streets as a popular means of transportation, and to the optical illusion of movement and infinite depth that appears to go on forever as one looks at the mesmerizing array against the prairie sky.

这座巨大的纪念性拱门不禁让人联想起遍布于世界各地唐人街的中国传统牌坊或纪念门。这件艺术品由看似无穷无尽的轮子、辐条和自行车车架组成。在标题中,“永久”不仅呼应了曾经风靡中国的自行车品牌,作为当时主要的交通工具,也暗示了在广袤的天空下,令人目眩的阵列所产生的那种光学错觉——一种无限延伸、仿佛永无止境的运动和深度。

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Ai Weiwei, Forever Bicycles, 2014. 1254 Bicycles. Stainless steel.

Ai Weiwei, Forever Bicycles, 2014. 1254 Bicycles. Stainless steel, 728.6 × 1603.8 × 397.9 cm. Collection of the National Gallery of Canada, Ottawa. Photo: David Lipnowski, 2021. © Ai Weiwei. Courtesy of Ai Weiwei Studio

Ai Weiwei

Photo: Courtesy of Ai Weiwei Studio

About the
artist

Ai Weiwei (b. 1957) is an artist who currently resides and works in multiple locations, including Beijing (China), Berlin (Germany), Cambridge (UK) and Lisbon (Portugal). His father, the poet Ai Qing, was denounced by China’s Communist Party in 1958 and his family was sent to labour camps, first near the North Korean border and then eventually in Xinjiang province. They returned to Beijing in 1976 after the end of the Cultural Revolution. Ai studied animation at the Beijing Film Academy, then studied art in New York in the early 1980s. Upon returning to China a decade later, Ai advocated for experimental artists by publishing underground books and curating avant-garde exhibitions. Ai’s artworks are often ambitious in both scale and scope and engage directly with contemporary geopolitics: from global issues of human rights violations to the realities of exile and dislocation, to government corruption and the abuses of power. He is an outspoken advocate of human rights and freedom of speech. He was the recipient of the Vaclav Havel Prize for Creative Dissent in 2012 and of the Amnesty International Ambassador of Conscience Award in 2015.

艾未未是一位艺术家,目前在北京(中国)、柏林(德国)、剑桥(英国)和里斯本(葡萄牙)居住和工作。他的父亲艾青是一位诗人,1958 年遭中国共产党批斗,全家先是被送往靠近朝鲜边境的劳改营,后来被流放到新疆。1976 年文化大革命结束后,他们回到北京。艾未未在北京电影学院学习动画,随后在 1980 年代初前往纽约学习艺术。十年后,艾未未回到中国,通过出版地下书籍和策划先锋派展览,为实验艺术家发声。艾未未的艺术作品通常规模宏大且涉及广泛,与当代地缘政治息息相关:从全球人权侵犯问题到流亡和流离失所的现实,再到政府腐败和权力滥用等议题。他是人权和言论自由的积极倡导者,获得了 2012 年瓦茨拉夫·哈维尔创意异议人士奖(Vaclav Havel Prize for Creative Dissent)和 2015 年国际特赦组织良心大使奖(Ambassador of Conscience Award)。

Building Forever Bicycles at The Forks

This amazing timelapse video showcases the building of Ai Weiwei’s Forever Bicycles at The Forks.

Video: Courtesy of The Forks. © Ai Weiwei, 2025

Building Forever Bicycles at The Forks

The Forks, aerial view.

Photo: The Forks

About the
Forks

Located at the junction of the Assiniboine and Red Rivers, The Forks has been a gathering place for over 6,000 years. Indigenous peoples first traded on these lands, followed by European fur traders, Scottish settlers, riverboat workers, railway pioneers, and tens of thousands of immigrants. Today, The Forks is a vibrant public space at the heart of Winnipeg’s downtown where locals and tourists gather for celebrations, recreation, and much like the early Indigenous peoples, to meet one another. As one of Manitoba’s most popular attractions, the 56-acre site features local shops, restaurants, The Forks Market, some of the City’s best open public spaces, and a number of major cultural facilities, including the Children’s Museum, Manitoba Theatre for Young People and the Canadian Museum for Human Rights. The Forks welcomes nearly 4 million visitors each year.

Ai Weiwei, Forever Bicycles, 2014. 1254 Bicycles. Stainless steel.

Ai Weiwei, Forever Bicycles (detail), 2014. 1254 Bicycles. Stainless steel, 728.6 × 1603.8 × 397.9 cm. Collection of the National Gallery of Canada, Ottawa. Photo: David Lipnowski, 2021. © Ai Weiwei. Courtesy of Ai Weiwei Studio

This installation is made possible by the National Gallery of Canada through the National Engagement initiative which is generously supported by Michael Nesbitt.

The Forks Foundation’s mission is to inspire and nurture philanthropic support for continued enhancement of public spaces, programming and place making at The Forks and other downtown areas.

该装置艺术得以呈现,得益于加拿大国家美术馆的“全国参与”计划(National Engagement Initiative),而该计划由迈克尔·内斯比特(Michael Nesbitt)慷慨资助。

福克斯基金会(The Forks Foundation)的使命是激励和培育慈善支持,继续提升福克斯园区和其他市中心的公共空间、规划和社区营造。

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    • Joan Jonas: We Come from the Sea
    • Ilya & Emilia Kabakov and The Ship of Tolerance
    • Sharon Lockhart and WINDWARD
    • Ai Weiwei and Forever Bicycles
    • Liam Gillick and A Variability Quantifier
  • Venice Biennale
  • Art Awards

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