Kristina Huneault’s ambitious art-historical study, "I’m Not Myself at All: Women, Art, and Subjectivity in Canada", is a heady, scholarly tour-de-force.
As revealed in James King's new book, Bertram Brooker may be one of the most interesting figures in Canadian art, not least for his success in a variety of fields.
For some, the period from 1925 to 1955 is an interregnum in Canadian art, a dull time punctuated only by the Automatistes and Refus global in 1948. Not so, argues Lora Senechal Carney in her new book, Canadian...
The museum guard on duty likely had no idea of the potential hazard posed by poet Arleen Paré when she visited an exhibition of sculptures by Ontario artists at the National Gallery of Canada.
In 'Sculpture in Canada: A History', author Maria Tippett tackles a large purview, beginning with indigenous bone carvings circa 1500 BCE through to Jana Sterbak’s incendiary work.
For many, Greg Curnoe was “the artist who paints bicycles”. To others, he was an ardent regionalist and, to others still, an iconoclast who successfully bucked the Canadian art establishment.
While printmaking in Canada has a long history and a thriving contemporary culture, there has been a gap in critical thought on printmaking’s history, technologies and evolution. The book Printopolis fills...
Published to coincide with Canada’s sesquicentennial, Art in Canada by Marc Mayer, Director of the National Gallery of Canada, is unlike any previous survey of Canadian art and artists.
