Ilya and Emilia Kabakov and The Ship of Tolerance
A Project by Ilya and Emilia Kabakov and the Children of Canada
About the
artwork
Initiated in 2005, The Ship of Tolerance, spearheaded by artists Ilya and Emilia Kabakov, is a nomadic art project that seeks to connect different communities through an act of collaborative creation. For each presentation, a large wooden ship is built locally, using plans drawn up by Ilya Kabakov that are adapted to the specific context. The ship is then launched with a series of performances by local youth, creating a celebration for participants including children, supporters, friends, local community leaders and the general public. The first iteration of The Ship of Tolerance was created in Siwa, Egypt, in 2005. The installation at Oakville Galleries is a significant milestone, marking the project’s twentieth anniversary.
Ilya and Emilia Kabakov, The Ship of Tolerance in Kunsthaus Zug, 2016. Courtesy of the artists. Photo: Daniel Hegglin © Ilya & Emilia Kabakov Foundation
Concurrent to the ship’s construction along the shores of Lake Ontario in Gairloch Gardens, a series of workshops was organized for local school children from the Halton region. During these sessions, youth exchanged ideas and perspectives around the themes of the work, including reflections upon their visions for both their own and our communal futures. The workshops concluded with the children drawing pictures on silk squares, which were then stitched together to form the ship’s sails.
The primary purpose of The Ship of Tolerance, as stated in its mission, is to “educate and connect youth of different continents, cultures, and identities through the language of art.” In Nora Fitzgerald’s 2011 article, “Sailing with the Kabakovs,” Ilya and Emilia Kabakov offered their reflections on the project, saying, “the goal of course is the connection to other cultures, and the ship is the symbol. The children are very sensitive to this. Other symbols are the wind, the message in the bottle, freedom of the sea. The children have to know that their message will be heard.”
About the
artists
Ilya Kabakov (1933–2023) and Emilia Kabakov (b. 1945) are ex-Soviet artists based in the United States. They are known for their immersive installations, paintings and drawings, which incorporate their own experiences, as well as utopian themes and fictional characters. Ilya first travelled outside the Soviet Union in 1987, and in 1988 went to New York, where he resumed working with Emilia, with whom he first began collaborating in the late 1980s. Emilia Kabakov, born Emilia Lekach, emigrated to Israel in 1973, then moved to the United States in 1975.
Officially collaborating on works of art since 1989, Ilya and Emilia Kabakov married in 1992, and have since produced an impressive number of installations and conceptual works addressing ideas of utopia, dreams and fear, reflecting upon both their own experiences and the universal human condition.
Photo: Yuri Rost
Participating Schools
and Educational Organizations
ArtHouse Halton • Derry West Village Public School • École E.J. James Public School • Joshua Creek Public School • Kenollie Public School • Maple Grove Public School • McKinnon Public School • Meadowvale Village Public School • River Oaks Public School • St. Andrew Catholic Elementary School • St. Cecilia Catholic Elementary School • St. Edith Stein Elementary School • St. Marguerite d’Youville Catholic Elementary School • W.H. Morden Public School
Concert
Participants
Eshkinigejik (Young Ones), Youth Drummers of the Mississaugas of the Credit First Nation • Mississauga Festival Youth Choir • Youth Performance Company (YPC) at City Dance Corps • W.H. Morden Public School Drumline • Gosha Chmikhovskii • Ahmed Zekri • Calvin Lee • Sophie Ryan • Sofia Moniz • Nyla Santos • Emilia Krivokuca • Aleksia Dzelajlija • Alexander (Sasha) Barychev • Siena Abreu
This project is a collaboration with Oakville Galleries and the National Gallery of Canada.
The National Gallery of Canada’s National Engagement initiative is generously supported by Michael Nesbitt, with additional funding from the National Gallery of Canada Foundation.






