Winter Count: Embracing the Cold
Winter Count: Embracing the Cold reflects on winter’s significant impact across diverse cultures and artistic expressions.
Featuring more than 150 works from the early 19th century to the present, this exhibition brings together Indigenous, Canadian settler and European perspectives on the subject.
Winter Count delves into concepts of tradition, identity and heritage as it explores how individual artists engage with winter motifs through objects, paintings, sculpture and works on paper. Historic Indigenous belongings are juxtaposed with works by contemporary artists like Inuit printmaker Pitseolak Ashoona and Cree artists Duane Linklater and Kent Monkman, highlighting ancestral knowledge, storytelling and contemporary critique. The exhibition then draws comparisons between Canadian painters such as Maurice Cullen and Clarence Gagnon and French Impressionists Claude Monet and Camille Pissarro, focusing on their distinct approaches to capturing the effects of light on snow. Finally, it reveals a shared visual language among Canadian artists like J.E.H. MacDonald and Lawren S. Harris and their Canadian and Scandinavian counterparts through the lens of winter.
Named for the pictorial records used by Indigenous nations from the Plains like the Lakota, Winter Count reflects on themes of survival, adaptation and kinship, portraying winter as a transformative force that shapes human experience.
This exhibition is a collaboration between the departments of Indigenous Ways and Decolonization, Canadian Art and European, American and Asian art.
Date
Location
As the nights draw in, what could be more fitting than Winter Count: Embracing the Cold at the National Gallery of Canada, Ottawa, which reflects on how wintertime inspires art across diverse cultures.
—BBC (Taylor Swift to Hamnet: The best culture to look forward to this autumn)
Artwork
Catalogue
Winter Count features approximately 170 plates, along with illustrated essays by curators from the National Gallery of Canada. The result is a book that invites readers to see winter anew — not as a season to be endured, but as a source of invention, connection, and mutual respect across time and place.
Available in the Gallery Boutique and online.
These shows act as a reminder that art history is always in the process of being redrafted.
—ARTnews (80 Museum Exhibitions and Biennials to See in Fall 2025)
150 works, from Claude Monet to Kent Monkman! Very promising.
—LA PRESSE (Un automne d’hommages et d’art [An autumn of tributes and art])
Upcoming Events
Tours
Group Visits
On this tour, your group will discover winter-themed art by Indigenous Peoples, Canadian settlers and Europeans and explore points of contact and difference in painting, photography, clothing and more.
Nov 22, 2025 to Mar 22, 2026
Duration: 60 min
Tours
School Tours
In this guided program, students will discover winter-themed art by Indigenous Peoples, Canadian settlers and Europeans and explore points of contact and difference in painting, photography, clothing and more.
Nov 25, 2025 to Mar 20, 2026
Duration: 60 min
Shared With Us:
Winter Across Canada
Winter Count: Embracing the Cold reflects on winter’s significant impact across diverse cultures and artistic expressions. Shared With Us: Winter Across Canada is a series of short videos where we discover how Canadians across the country experience winter.
Wahsontiio Cross
Kahnawà:ke, Quebec
Krystle Silverfox
Whitehorse, Yukon
Jocelyn Piirainen
Ikaluktutiak (Cambridge Bay), Nunavut
Jin-me Yoon
Vancouver, British Columbia
Heather Campbell
Tikigâksuagusik (Rigolet), Newfoundland and Labrador
Denise Torre Ormeño
Montreal, Quebec
Isabella and David Ballesteros
Charlottetown, Prince Edward Island
Andrew Ryder
Montreal, Quebec
Ahmad Hafez
Thunder Bay, Ontario
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Accessibility and
Sensory Guide
Winter Count: Embracing the Cold is on Level 1 in the Special Exhibitions Galleries. Visitors may access the exhibition from the Scotiabank Great Hall. To access the Scotiabank Great Hall, please use the ramp or the elevator located near the Gallery’s main entrance. Wheelchairs and other walking supports are available at the Box Office. There is one entrance to the exhibition and a separate exit, both with automatic doors. The exit opens to rotunda adjacent to the cafeteria. Public washrooms are nearby. Security staff is available to help with directions, open doors, or provide information.
In the exhibition works of art are displayed on walls, in cases, on low platforms or hanging from the ceiling. Lighting is standard and even throughout. One artwork is a video installation that includes ambient sound, music, singing, dialogue and captions. None of the works may be touched. Some artworks are equipped with proximity alarms. The alarm will sound if visitors move too close. There are benches in several galleries where visitors may sit and rest.
The exhibition ends in an interactive space for all visitors, with opportunities to touch natural materials found in some artworks, make a collage, or sit and rest with a book or a selection of videos with headphones.
Learn more about Accessibility at the Gallery here.
Lead Sponsor
Supporting Sponsors
With support from
And
Don and Sheila Pether
This project is supported in part by the Government of Canada



















